Low budget vampire film.

Sex and love. Some seek it, some need it, some spurn it and some pay for it, but we're all involved in it. Set on one afternoon on Hampstead Heath in north-west London, the film investigates the minutiae of seven couples. What makes us tick?

Alexandra McKay is a woman who's been blind for twenty years and is afraid that people will just try to get close to her because of her condition, so she ultimately stays to herself and her trusty guide dog, Emma. When Richard Chapman enters her life, a romance develops and McKay begins to let the outside world in to her private world. The prospect of an operation arises that will restore McKay's eyesight, but the fear of what it will do to her relationship with Chapman and the concern over the fate of her guide dog weigh heavily upon her decision to do the procedure.

A has-been teen celebrity gets his life in order, however, upon returning to the entertainment industry, he is faced with a new, darker side to it.

A young bride moves into her husband's family and tries to modernize their lifestyle. Her plans, though, often get discouraged by her mother-in-law, a conservative lady who stresses traditional values. But the bride's father-in-law who understands the charms of her daughter-in-law's modern lifestyle, helps her to get what she wants. Eventually, they become one happy family living a modern lifestyle.

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Inexperienced Otis channels his sex therapist mom when he teams up with rebellious Maeve to set up an underground sex therapy clinic at school.

A superintendent of a school district works for the betterment of the student’s education when an embezzlement scheme is discovered, threatening to destroy everything.

The story revolves around the lives of a group of international fashion models, focusing on the main character, Fabrice. The film examines the hollowness of his glamorous lifestyle, leading to self discovery and ultimately a personal catharsis (and his own death). The film is based on (really, inspired by) the French Book, L'Education Sentimentale, by Gustave Flaubert.

A humorous take off on Vermeer, in which one of the artist's female models takes his place at the easel and tries to paint him instead.